Description

This issue features an historical introduction to Ukrainian Studies at Monash University, a piece on the rhetoric and politics of Ivan Kotliarevsky’s “Eneida,” an analysis of Lesia Ukrainka’s “Lisova Pisnia” as a variant of the liebestod motif, an essay on the dramaturgy of grief in Vasyl Stefanyk’s “Syny,” a piece on the non-deverbative formation of verbs in Modern Ukrainian and Polish, an essy on Vojvodina’s Rusinian and its Ukrainian constituent, and an article on Ukrainian Studies in Czechoslovakia between the World Wars.